Tuesday, June 28, 2011

This Place Where I Am Happy

THIS PLACE WHERE I AM HAPPY


The dark spreads its palm
From nowhere to nowhere,
Outside, the frozen crust
Of the barnyard spangles
Under the arclight. Snow
Captions fences neatly.
Each footprint jails a shadow.

The horses stamp in their straw,
Muzzles a penumbra
Of crystal, breath white balloons
In which no language hovers.
Their droppings golden stones,
Eyes of dreamy amber. The cinder block walls
Sparkle as cold bites through
Sinking red and congealed
In the window-hung bulb.

The black wind hurts my face
As I trudge houseward tugging the metal pail
That dances empty from its bail.

Nothing cries from rooftops
Or circles out of trees.
Cats huddle in the loft
Frostnipped ears rounding
To the horses’ even breaths
And the shift of massive haunches.

I halt, set down the pail
In a white expanse that is perfect
As long as I do not move.

South Dakota Review

Saturday, June 18, 2011

Illness of Horses: A Woman Meditates

ILLNESS OF HORSES: A WOMAN MEDITATES


1.      String Halt: A curious affliction. The walk is peculiarly
Exaggerated. A woman wearing glass heels searching for
Her prince. Authorities agree this is a nervous condition.

2.      Lampas: Your mouth swells with bad blood. Cry out in
Agony. Rub with salt, burn with hot irons. None of these
Methods will help.

3.      Founder: An enchantment of green apples. Monopolies of
Grain. Disease of the insatiable. Lie down, remove
Your shoes. The bones are coming apart.

4.      Heaves : Hard cough, labored breathing.
An unsoundness of respiration. Failure of love.

5.      Forging: You overrun yourself. An injury of ambition.
The wounds raw and new. Proceed with caution. Proceed
With caution.

6.      Cribbing: Bite obstacles grunting, sucking wind. A
Common vice. Boredom of marriage.

7.      Moon Blindness: Your eyes turns green and opaque. Tears
Fail you. Remain stalled in darkness until the solitary
Pasture silvers in moonlight.

8.      Staggers: A defect of the heart or brain. Confusion
Worsens in heat. You remain dazed for hours, or forever.

9.      Joint Evil: Infection of the navel. The world centers
Turns in against you. There is no cure. A marked
Inclination to lie down and die.

Midway Journal


Sunday, June 12, 2011

Hoarfrost

The appaloosa grazes a glazed field.
A twist of branches
risks its signature.
The sky's a blank.

Desultorily, the horse
divines the pattern of its hunger.
A hawk
plummets from the crown of a burr-oak.
Something dies
without fanfare.

Sleet falls. A rain of blind needles.
A speechless wind. The gibbous rise
of headlands to the east
black with menace.

Pour your eyes
into this landscape. Now you'll move slowly
as the appaloosa working his way
across the silver pasture
mouthful by mouthful.

West Branch. Collected in The Boundary Waters by Joan Colby
Damascus Road Press.

Friday, June 10, 2011

Bet on Grace

BET ON GRACE

For my mother


Had to bet on Bet On Grace, my mother’s name
Because she was always lucky,
Held the only winning ticket in our
Group at Louisville in Spend A Buck’s
Derby, she liked the name. She liked to
Take a chance, explore a road
She’d never been on, play cards for money.

Bet On Grace came in and paid
A decent price. Tailed off after that
Though she often hit the board
If she was right. I know better
Than to bet a name, but always watch
To see if Bet On Grace was on the morning line.

Mother’s luck ran out as everybody’s will
Whether your bet is pari-mutuel or against the house.
The day comes when all bets are off but
Bet On Grace keeps showing up in the program
Running cheap and hard always worth a look.

Chiron Review

Two Deaths

TWO DEATHS

I
The hurt owl
In the gravel roadway shifts
From one claw to the other.
The iris of one eye splattered
Like ink on yellow
Cellophane. The other
Stares, a perfect target,
Distrustful, woozy.
It has fluffed itself
Big as a tombstone, tufted
Earfeathers, scythe beak clacking,
Its little snake-pale tongue.

II
The colt is still alive
On his feet, plodding, head down
In slow circles, fur matted with sawdust,
Eye, a prayer of flies,
Chainsawing dullness, legs buckle
Him down into a heap,
Swollen belly, head flung
At a distorted angle.
Last night, he thrashed in the stall
While you inoculated sleep.
A grey-white rat slid past
On a beam above your head, ghostlike.
I held the water bucket
To the colt’s lips, you supported
Him as he drank, shallowly,
Then sighed and rested
His head on a flake of straw.
Dawn gripped the edges of the window,
Mourning doves began to call.
The colt’s sides heaved
And heaved and heaved. He went on breathing.

III
It will be another scorcher. Already, heat
Pleats the inner wrists of willow leaves
And in the dips of pasture, mist
Is burning off.
You choke a rat
From the white cat’s jaws.
A gift of sustenance for the owl
Who perches on a fallen branch in shade,
Lifting one tilted hinge
Lopsidedly as if recalling
Long noiseless swoops from barn to barn
When he was still a menacing shadow.
He accepts the rat
With dignity. His intact eye
An awful inquiry
Fixing ours. The third lid shutters, opaque,
Back and forth over the blasted one,
A yellow map of jagged  black islands.
He puffs up big at our approach
But doesn’t flee. He is the predator.

IV
The colt sprawls in the sun
In a dome of flies.
Sudden violent twistings, then
Collapse, His huge dark eye
Moist as a grape, rolls
In terror. His cries
Are silent ones. Just weaned, he’s learned
The hopelessness of bawling.
You give him morphine. He doesn’t
Want to die, this feisty little one,
Staggering to his tiny hoofs to thrust
His muzzle into water, come up dripping,
Not swallowing, his eyes
Terribly hurt, then down, rolling again
Learning how to stop living
In the agony of a twisted gut.

V
The backhoe comes to dig him under.
In the far field, mares in foal
Are grazing, the August sky
Shorn of clouds, bloats bright blue,
Brash
As the barn man with his red muscles
And unblinking pleasant bovine stare.

VI
The owl waits for the long day
To cripple into nightfall.
He won’t make it
Either, eyeshot, equilibrium
Vanquished. He ruffles himself
To the largest version of threat he can
And postures furiously against tomorrow.

the new renaissance

Thursday, June 9, 2011

Fences

FENCES


Augur corkscrewed through topsoil
The color of Grand Marnier, bored
Deeper into rich liquor where oak posts
Creosoted against rot were set
And tamped. Four boards properly
Nailed on the obverse side. Squared
And braced corners. Sixteen foot
Pole gates hung.

Seeded in a mix of timothy and clover,
A cover crop of oats to shade growth,
They surveyed their toil, the horses
Thundered off the van and heads down
Divined the ritual of grazing.

Fenced and crossfenced, pastures switched
To rest and recover. Trodden dirt
By the stock tank graveled. Loose boards
Shored up. For years, side by side,
Pounding nails, repairing ravages of cribbers,
Leaners, butt rubbers, kickers,
Foals that slid under, racers that crashed
Or sailed. Those fences sturdy as biceps
As homespun hearts, as presumed vigor.

After she went into the home and the horses
Were auctioned, he stood squarely
On his porch as if the loose
Skin of his jowls and upper arms
And the way his overalls hung
From his bones as if he’d become
Insubstantial were simply a figment
And the shadow he cast would cease
To lengthen like a runaway colt
Getting away from him and watched
The fences, post and rail,
Come down.

Chiron Review

Thursday, June 2, 2011

What Horses Mean

WHAT HORSES MEAN


How fleet, how difficult to spear.
Bewitch their shapes in red clay on cave walls.

How they uplift a man above his neighbor.
Carry him to commerce or to war.

How they can be tamed with whip or whisper.
How they learn to stand quietly and wait.

How incorrigible, they sunfish or rear
Over backwards, how they won’t relent.

How they stampede, heedless into traffic
Or jog through city streets bearing a child.

How they will race, impelled to be the first
Though their cannon bones shatter, their hearts break.

How grazing in pastures, they focus a landscape
So the eye blesses them with attention.

How early artists saw them extended
As birds in flight, beautiful but wrong

How the camera at last defined the action
Of their legs at the gallop.

How their names emboldened myth
Pegasus, Bucephalus, Pale Horse of the Apocalypse.

How they depend upon the herd, fly from danger
Sleep standing like sentries, always alert.

How they allow the iron in their mouths,
The saddle, the spur, collect their motion.

How they kowtow or struggle
Or with dignity display their elevated gaits.

How their statued posture reveals the nature
Of the deaths of commanders.

How they define the nature
Of force in their supplanters.

Portland Review